Maíra das Neves

mairadn@gmail.com


bio
publications
Timespace and its multiple aspects and variations is the core of my art. From this angle, and with my body consciously engaged, I observe and accompany movements, rhythms, and events that surround me. The forces of power affecting us are often in focus, and lately I have been interested in time-based modes of resistance.  Instead of creating, I am more interested in reconfigurating, translating, and evoking.

My works often give digital images a material body, using varied media like analog photography processes, watercolors, egg tempera painting, and even embroidery.

Another part of my work deals with language. My investigations on different perceptions of time led me to study verb tenses in Amerindian grammar, as well as calendars.

My practice is influenced by ancient meditative/spiritual traditions like Japanese sumi-e, Mayan calendars, Icon painting, Brazilian umbanda, and Amerindian languages.






bioMaíra das Neves is an artist of the cognitariat who migrated from São Paulo to Barcelona in 2019. With her art, she investigates different notions and politics of timespace. Her most recent solo show focused on the perception and management of time within labor context, and on the modes of production  of biocognitve capitalism. Her art seeks slowness and embraces pause.

She attended PEI -Independent Studies Program (MACBA-Barcelona), she holds a master degree in Literature, Culture and Contemporarity (PUC-Rio), and a degree of License in Visual Arts (FAAP-São Paulo). 

She presented solo shows in Tangent Projects (Barcelona); Portas Vilaseca Galeria (Rio de Janeiro); Espaço Sergio Porto (Rio de Janeiro); and CCSP (São Paulo). She was part of group shows in institutions like La Escocesa, CED-MACBA, Urbane Künste Ruhr, Casa França-Brasil, Sesc Consolação, MAM-Rio, and others, as well as in independent spaces like CSO Nabat 3, Solar dos Abacaxis, and Casa Tomada, to name a few.

Some of the art residencies attended are: Exchange Homesession (Belgrade), Lastro Centro-América (Antigua Guatemala), Z/KU (Berlin), and CAPACETE (Rio de Janeiro).

She ran the artist space Ateliê 1m2, where she organized and hosted open presentations and experiments of many fellos artists. Within the Archipel In√est, she co-developed the þit, a project that opened a private space as a public park to the community where events and workshops were held. The park was managed with a self-sufficient economic model, with a financial sculpture that operated with cryptocurrency mining, and it was operational for 5 months. As a founding member of Agência Transitiva (2013-2015), she experimented with different modes for financial support, collective writing and translation, within an adhesive transversal network. As an associate member of La Escocesa in Barcelona since 2019, she was part of the CO-rpus group. She was a long-term studio artist at Tangent Projects, Barcelona, where she developed and organized the Process Sharing meetings among fellow residents. She is also founding member of the Associació Cultural Ca La Moriche.




selected online publications
NEVES, Maíra das; Jimmie Durham and the Strange Brazilian Normalcy; in Arte e Descolonização; MASP & Afterall Journal; São Paulo and London; 2020

NEVES, Maíra das; En verdad fue terrible; No-Libros; Barcelona; 2019

NEVES, Maíra das; Praça Uruçu-Paris-Mirim; Lingoa Geral, Barcelona and São Paulo; 2019

NEVES, Maíra das; Jimmie Durham e a mentalidade colonial no Brasil; BUALA; 2018

NEVES, Maíra das; Praça Uruçu-Paris-Mirim; Artes & Ensaios n.36; Rio de Janeiro; 2018

SANTOS, Fernanda Bornancin; O virtual a partir do visual: relações entre arte e tecnologia na obra de Maíra das Neves; Art&Sensorium v.4 n.2; Curitiba; 2017

NEVES, Maíra das; Que hoje é aqui?; Estação Lastro; São Paulo; 2017

NEVES, Maíra das; Que hoje é aqui?; Indisciplinas: a arte frente ao urgente; Rio de Janeiro; 2017

BRANDÃO, Pedro Victor. DAS NEVES, Maíra; A Lenda de Thyt, O Gigante ou O que jaz sob o þit; Tecnoxamanismo; Goethe Institut; São Paulo; 2016

NUNES, KAMILLA; Espaços Autônomos de Arte Contemporânea; Ed. Circuito; Rio de Janeiro; 2013

1m2; interview; revista Overmundo n.5; Rio de Janeiro; 2012


with Agência Transitiva:

Soft Power or The Undelayable Will To Do Good, by Pedro Victor Brandão, Maíra das Neves, and Kadija de Paula - comissioned for Antje Majewski's work in the Future Perfect exhibition, Pelotas, Brazil, 2015

The Anarchist Doctrine Accessible to All, José Oiticica, 1925 -translation to English for Juan Pablo Macías exhibition at Vila Romana, Firenze, Italy,  2015

Guia para exigir o impossível, Gavin Grindon and John Jordan, 2010 - translation to Portuguese, 2013